The End of a Dream – Giuseppe Pennasilico , c.1908
Italian, 1861-1940
Oil on canvas,
99.5 x 145.4 cm
Placing this here after having just read “The Bloody Chamber” by Angela Carter.
The End of a Dream – Giuseppe Pennasilico , c.1908
Italian, 1861-1940
Oil on canvas,
99.5 x 145.4 cm
Placing this here after having just read “The Bloody Chamber” by Angela Carter.
I’m striving to read another 31 spooky short stories in October. I thought it’d be neat to share the stories I’ve collected from previous years since I often find myself wishing for lists like this as I research new stories and authors.
I’m not a devout genre reader so it’s a mix of stories that may not fall into traditional horror categories, but are still intense reads or appropriate to the moods of the season.
I’ve made sure to include more than just white men from the United States and Western Europe.
There’s a line from each story as well to get a sense of what’s in there.
Some stories contain disturbing, violent, and/or sexual content, so fare thee warned.
—
I’m striving to read another 31 spooky short stories in October. I thought it’d be neat to share the stories I’ve collected from previous years since I often find myself wishing for lists like this as I research new stories and authors.
I’m not a devout genre reader so it’s a mix of stories that may not fall into traditional horror categories, but are still intense reads or appropriate to the moods of the season.
I’ve made sure to include more than just white men from the United States and Western Europe.
There’s a line from each story as well to get a sense of what’s in there.
Some stories contain disturbing, violent, and/or sexual content, so fare thee warned.
—
“The Adventure of the German Student” by Washington Irving (1824)
He was, in a manner, a literary goul, feeding in the charnel house of decayed literature.
“The Apparition of Mrs. Veal“ by Daniel Defoe (1706)
If the eyes of our faith were as open as the eyes of our body, we should see numbers of angels about us for our guard.
“Jacqueline Ess: Her Will and Testament” by Clive Barker (1984)
If one has given oneself utterly, watching the beloved sleep can be a vile experience.
“The Soul of the Great Bell” by Lafcadio Hearn (1887)
All the workmen wrought their tasks in silence; there was no sound heard but the muttering of the fires.
“In the Water Works (Birmingham, Alabama 1888)” by Caitlin R. Kiernan (2000)
Fresh wound, these walls, this abscess hollowed into the world’s thin skin.
“The Damned Thing” by Ambrose Bierce (1898)
All seemed to be waiting for something to occur; the dead man only was without expectation.
“A Visit” (prev. “The Lovely House”) by Shirley Jackson (1952)
A tile is missing from the face of Margaret, who died for love.
“Night Surf” by Stephen King (1969)
He said his name was Alvin Sackheim. He kept calling for his grandmother.
“The Lonesome Place” by August Derleth (1948)
What do they know about a place and time when a boy is very small and very alone, and the night is as big as the town, and the darkness is the whole world?
"The Phantom Coach” by Amelia B. Edwards (1864)
Against what superstition have they waged so long and obstinate a war, as against the belief in apparitions?
“Afterward” by Edith Wharton (1910)
The sunny English noon had swallowed him as completely as if he had gone out into Cimmerian night.
“The Demon Lover” by Elizabeth Bowen (1945)
You have no time to run from a face you do not expect.
“The Tower” by Marghanita Laski (1955)
There was nothing left in her brain but the steadily mounting tally of the steps.
“Don’t Look Now” by Daphne du Maurier (1971)
How to replace the life of a loved lost child with a dream?
“███████” by Joyce Carol Oates (1998)
Each of us had one, in our bowls. Warm and pulsing with life and fear radiating from it like raw nerves.
“Vampire Princess” by Ryuki Mao (2004)
The human will want to take you into the light, saying it’s for your own good.
“Cruel Sistah” by Nisi Shawl (2005)
One singing note, which he raised and lowered slowly. High and yearning. Soft and questioning. With its voice.
“The You Train” by N.K. Jemisin (2007)
All the defunct lines, the dead lines. I think they never really go away.
“Hello, Moto” by Nnedi Okorafor (2011)
It always felt so good to take from people, not just their money but their very essence.
“Pearls” by Priya Sharma (2012)
All because you couldn’t have me.
“Monstro” by Junot Díaz (2012)
Motherfuckers used to say culo would be the end of us. Well, for me it really was.
Hey, pinky promise you’ll play with me.
“The Graveless Doll of Eric Mutis” by Karen Russell (2013)
Yolk came oozing out of the mystery, covering all our hands, so that we became involved.
“Out of Skin” by Emily Carroll (2013)
A heap of wet skin and decaying cloth, crowded inside a dark pit I’d never seen before.
“How to Get Back to the Forest” by Sofia Samatar (2014)
The smell in the bathroom was terrible now–an animal smell, hot; it thrashed around and it had fur.
“Sixteen Minutes” by Premee Mohamed (2016)
I felt its breath in the night sometimes, like the warm, moist breath of my son when he’d crawl into bed with us.
“Wish You Were Here” by Nadia Bulkin (2016)
Hopefully, by the time the world ends, you’ll be gone.
“A Diet of Worms” by Valerie Valdes (2016)
Hell, maybe you’ll even stay and watch the movie.
“None of This Ever Happened” by Gabriela Santiago (2016)
Someone has to write Uhura looking out the window and dreaming of home.
“The Taming of the Tongue” by Russell Nichols (2016)
You don’t know what this boy wants you to see way out here, but ain’t nothing worth getting eaten alive for.
“Wet Pain” by Terence Taylor (2007)
It doesn’t matter whether you believe in ghosts if they believe in you.
The Walking Dead: The Final Season dev. Telltale Games, Skybound Games (2018-2019)
Maybe we’ll learn to fly together, someday.
“Black Box” dir. Monica Garrison (2010)
I felt so special that they had invited just me for a visit that day.
Splice dir. Vincenzo Natali (2009)
You never wanted a normal child because you were afraid of losing control.
In the Tall Grass dir. Vincenzo Natali (2019)
The field doesn’t move dead things. It makes them easier to find.
Fright Night dir. Tom Holland (1985)
The master will kill you for this! But not fast. Slowly! Oh, so slowly!
Near Dark dir. Kathryn Bigelow (1987)
Howdy. I’m gonna separate your head from your shoulders. Hope you don’t mind none.
Don’t Look Now dir. Nicolas Roeg (1973)
This one who’s blind. She’s the one that can see.
The Ritual dir. David Bruckner (2017)
It’s the bit they don’t show you in the nature documentaries.
Thirst dir. Park Chan-wook (2009)
He loved helping the hungry. He’d offer me his blood if he wasn’t in a coma.
Hush dir. Mike Flanagan (2016)
Too many endings. They are all the same.
A Tale of Two Sisters dir. Kim Jee-woon (2003)
As much as you hate it, I’m the only one in this world you can call mother.
The Invitation dir. Karyn Kusama (2015)
I am different. I’m free. All that useless pain, it’s gone.
Bird Box dir. Susanne Bier (2018)
If you look, you will die.
Jennifer’s Body dir. Karyn Kusama (2009)
How could I ever be insecure? I was the Snowflake Queen.
Bee and PuppyCat – Season 1 (2014-2016)
My payment was supposed to be the sweet release of death, and a permanent home for the soul.
The Twilight Zone – Seasons 4-5 (1963-1964)
The others thought about joining the army, or flying to Mars. They finally grew up and they forgot their dreams; I didn’t.
The Haunting of Bly Manor (2020)
To truly love another person is to accept the work of loving them is worth the pain of losing them.
“The Adventure of the German Student” by Washington Irving (1824)
He was, in a manner, a literary goul, feeding in the charnel house of decayed literature.
“The Apparition of Mrs. Veal“ by Daniel Defoe (1706)
If the eyes of our faith were as open as the eyes of our body, we should see numbers of angels about us for our guard.
“Jacqueline Ess: Her Will and Testament” by Clive Barker (1984)
If one has given oneself utterly, watching the beloved sleep can be a vile experience.
“The Soul of the Great Bell” by Lafcadio Hearn (1887)
All the workmen wrought their tasks in silence; there was no sound heard but the muttering of the fires.
“In the Water Works (Birmingham, Alabama 1888)” by Caitlin R. Kiernan (2000)
Fresh wound, these walls, this abscess hollowed into the world’s thin skin.
“The Damned Thing” by Ambrose Bierce (1898)
All seemed to be waiting for something to occur; the dead man only was without expectation.
“A Visit” (prev. “The Lovely House”) by Shirley Jackson (1952)
A tile is missing from the face of Margaret, who died for love.
“Night Surf” by Stephen King (1969)
He said his name was Alvin Sackheim. He kept calling for his grandmother.
“The Lonesome Place” by August Derleth (1948)
What do they know about a place and time when a boy is very small and very alone, and the night is as big as the town, and the darkness is the whole world?
"The Phantom Coach” by Amelia B. Edwards (1864)
Against what superstition have they waged so long and obstinate a war, as against the belief in apparitions?
“Afterward” by Edith Wharton (1910)
The sunny English noon had swallowed him as completely as if he had gone out into Cimmerian night.
“The Demon Lover” by Elizabeth Bowen (1945)
You have no time to run from a face you do not expect.
“The Tower” by Marghanita Laski (1955)
There was nothing left in her brain but the steadily mounting tally of the steps.
“Don’t Look Now” by Daphne du Maurier (1971)
How to replace the life of a loved lost child with a dream?
“███████” by Joyce Carol Oates (1998)
Each of us had one, in our bowls. Warm and pulsing with life and fear radiating from it like raw nerves.
“Vampire Princess” by Ryuki Mao (2004)
The human will want to take you into the light, saying it’s for your own good.
“Cruel Sistah” by Nisi Shawl (2005)
One singing note, which he raised and lowered slowly. High and yearning. Soft and questioning. With its voice.
“The You Train” by N.K. Jemisin (2007)
All the defunct lines, the dead lines. I think they never really go away.
“Hello, Moto” by Nnedi Okorafor (2011)
It always felt so good to take from people, not just their money but their very essence.
“Pearls” by Priya Sharma (2012)
All because you couldn’t have me.
“Monstro” by Junot Díaz (2012)
Motherfuckers used to say culo would be the end of us. Well, for me it really was.
Hey, pinky promise you’ll play with me.
“The Graveless Doll of Eric Mutis” by Karen Russell (2013)
Yolk came oozing out of the mystery, covering all our hands, so that we became involved.
“Out of Skin” by Emily Carroll (2013)
A heap of wet skin and decaying cloth, crowded inside a dark pit I’d never seen before.
“How to Get Back to the Forest” by Sofia Samatar (2014)
The smell in the bathroom was terrible now–an animal smell, hot; it thrashed around and it had fur.
“Sixteen Minutes” by Premee Mohamed (2016)
I felt its breath in the night sometimes, like the warm, moist breath of my son when he’d crawl into bed with us.
“Wish You Were Here” by Nadia Bulkin (2016)
Hopefully, by the time the world ends, you’ll be gone.
“A Diet of Worms” by Valerie Valdes (2016)
Hell, maybe you’ll even stay and watch the movie.
“None of This Ever Happened” by Gabriela Santiago (2016)
Someone has to write Uhura looking out the window and dreaming of home.
“The Taming of the Tongue” by Russell Nichols (2016)
You don’t know what this boy wants you to see way out here, but ain’t nothing worth getting eaten alive for.
“Wet Pain” by Terence Taylor (2007)
It doesn’t matter whether you believe in ghosts if they believe in you.
The Walking Dead: The Final Season dev. Telltale Games, Skybound Games (2018-2019)
Maybe we’ll learn to fly together, someday.
“Black Box” dir. Monica Garrison (2010)
I felt so special that they had invited just me for a visit that day.
Splice dir. Vincenzo Natali (2009)
You never wanted a normal child because you were afraid of losing control.
In the Tall Grass dir. Vincenzo Natali (2019)
The field doesn’t move dead things. It makes them easier to find.
Fright Night dir. Tom Holland (1985)
The master will kill you for this! But not fast. Slowly! Oh, so slowly!
Near Dark dir. Kathryn Bigelow (1987)
Howdy. I’m gonna separate your head from your shoulders. Hope you don’t mind none.
Don’t Look Now dir. Nicolas Roeg (1973)
This one who’s blind. She’s the one that can see.
The Ritual dir. David Bruckner (2017)
It’s the bit they don’t show you in the nature documentaries.
Thirst dir. Park Chan-wook (2009)
He loved helping the hungry. He’d offer me his blood if he wasn’t in a coma.
Hush dir. Mike Flanagan (2016)
Too many endings. They are all the same.
A Tale of Two Sisters dir. Kim Jee-woon (2003)
As much as you hate it, I’m the only one in this world you can call mother.
The Invitation dir. Karyn Kusama (2015)
I am different. I’m free. All that useless pain, it’s gone.
Bird Box dir. Susanne Bier (2018)
If you look, you will die.
Jennifer’s Body dir. Karyn Kusama (2009)
How could I ever be insecure? I was the Snowflake Queen.
Bee and PuppyCat – Season 1 (2014-2016)
My payment was supposed to be the sweet release of death, and a permanent home for the soul.
The Twilight Zone – Seasons 4-5 (1963-1964)
The others thought about joining the army, or flying to Mars. They finally grew up and they forgot their dreams; I didn’t.
The Haunting of Bly Manor (2020)
To truly love another person is to accept the work of loving them is worth the pain of losing them.
When you’re reading a horror story and then suddenly…
(”None of This Ever Happened” by Gabriela Santiago)
When you’re reading a horror story and then suddenly…
(”None of This Ever Happened” by Gabriela Santiago)
The year started with Friends after watching too much of it during my December 2017 holiday. It ended with The King’s Speech on New Year’s Eve. I began the year with MoviePass and ended it with AMC Stubs A-List, ensuring I had my fill of the latest movies in theaters. I sold my car some months ago and the journey to the movie theater took on greater meaning in the last couple of months.
A lot of the reading on here came from my American Literature II class in which we studied twentieth century literature. Most, but not all. Some was just random nibbles on the train when I wasn’t consumed with my new-found fascination with podcasts. I include the Selected Shorts podcast to reduce the guilt of engaging in so much non-fiction.
Kwaidan was the most interesting, I think, if I have to pick one. It just feels like a daring creation of its time and place, with each horror story more compelling than the last. My interest in horror from 2017 appears to have legs and I hope to continue seeking out good, interesting horror stories.
I think I’ll do this monthly in 2019. It’ll give me a chance to reflect in short bursts instead of attempting to comprehend a year’s worth of fiction.
Short Stories
Audio Shorts
Novels
Plays
Comic Single Issues
Graphic Novels/Trades
Video Games
Shorts
Movies
TV Episodes
TV Series
Previously: 2017, 2016, 2015, 2014, 2013
The year started with Friends after watching too much of it during my December 2017 holiday. It ended with The King’s Speech on New Year’s Eve. I began the year with MoviePass and ended it with AMC Stubs A-List, ensuring I had my fill of the latest movies in theaters. I sold my car some months ago and the journey to the movie theater took on greater meaning in the last couple of months.
A lot of the reading on here came from my American Literature II class in which we studied twentieth century literature. Most, but not all. Some was just random nibbles on the train when I wasn’t consumed with my new-found fascination with podcasts. I include the Selected Shorts podcast to reduce the guilt of engaging in so much non-fiction.
Kwaidan was the most interesting, I think, if I have to pick one. It just feels like a daring creation of its time and place, with each horror story more compelling than the last. My interest in horror from 2017 appears to have legs and I hope to continue seeking out good, interesting horror stories.
I think I’ll do this monthly in 2019. It’ll give me a chance to reflect in short bursts instead of attempting to comprehend a year’s worth of fiction.
Short Stories
Audio Shorts
Novels
Plays
Comic Single Issues
Graphic Novels/Trades
Video Games
Shorts
Movies
TV Episodes
TV Series