anhed-nia:

BLOGTOBER 10/31/2023: NO ONE WILL SAVE YOU

Boy, this is the latest I have ever finished Blogtober. Fortunately I picked a pretty memorable movie for the last entry–and one I don’t have much to say about! But what I do have to say is mostly positive. Brian Duffield’s saucer invasion thriller is a lot of fun, even if it never fully develops its thesis. Kaitlyn Dever plays a young woman who has been mysteriously ostracized from her rural community, and so she lives out a fantasy of rustic contentment on the outskirts of town. Her peaceful solitude is marred by her nagging grief over a past catastrophe that is never fully articulated, because NO ONE WILL SAVE YOU commits to the gimmick of dialog-free storytelling. This might be sort of annoying–and it definitely doesn’t do the left-field ending any favors–but this movie is less about story than spectacle, and sometimes that is just fine.

The polymorphic gray aliens that descend on the heroine’s home look great, and the action is legitimately scary and exciting. Actually, I put this movie on one night during a bout of insomnia, thinking it would be a breezy timekiller, and then I found the initial invasion scene so scary I wondered if I’d made a big mistake! But the thing that impressed me more than anything else in NO ONE WILL SAVE YOU is the set design (by Jaime Salazar if I’m not mistaken). I’d hazard to guess that most people think about set design more in terms of appearance than functionality, but the handsome, naturalistic farmhouse in which most of the movie unspools furnishes seemingly endless opportunities for wonderfully surprising chases and fight scenes. Every nook and cranny of the place becomes a hiding place, a shortcut, a booby trap; each cute, collectible tchotchke becomes a crucial tool or a brutal weapon. While I was watching this movie, I became intensely aware that it takes a special kind of genius to figure out the right architecture to enable the fast-paced, complicated action that makes up most of NO ONE WILL SAVE YOU. I enjoyed this aspect of the film so much that I didn’t wind up worrying about the hokey silent movie gimmick, or the fact that the underlying trauma-drama was only half-baked, or that the gonzo ending didn’t quite make any sense. Sometimes when you insist on perfection, you deprive yourself of some pleasure that is abundantly available between the flaws–and I think that’s a pretty good message to leave you with at the conclusion of this speed run season for Blogtober. Thanks for sticking with it! See you in 2024 (or as soon as I have another urgent judgment to hand down).

Watch The Outer Limits (1995) Online for Free | The Roku Channel | Roku

Watch The Outer Limits (1995) Online for Free | The Roku Channel | Roku

weirdlandtv:

Title cards of horror anthology series.

These are pretty much what I was thinking of when creating my blog. I’ve always considered my blog a late-night show, an after-hours thing. A place with a buzzing neon sign.

An addition to this motley crew. More than one of these episodes kinda fucked me up. 😨

weirdlandtv:

Title cards of horror anthology series.

These are pretty much what I was thinking of when creating my blog. I’ve always considered my blog a late-night show, an after-hours thing. A place with a buzzing neon sign.

An addition to this motley crew. More than one of these episodes kinda fucked me up. 😨

New Fiction 2020 – October

“The Adventure of the German Student” by Washington Irving (1824)

He was, in a manner, a literary goul, feeding in the charnel house of decayed literature.

“The Apparition of Mrs. Veal“ by Daniel Defoe (1706)

If the eyes of our faith were as open as the eyes of our body, we should see numbers of angels about us for our guard.

“Jacqueline Ess: Her Will and Testament” by Clive Barker (1984)

If one has given oneself utterly, watching the beloved sleep can be a vile experience.

“The Soul of the Great Bell” by Lafcadio Hearn (1887)

All the workmen wrought their tasks in silence; there was no sound heard but the muttering of the fires.

“In the Water Works (Birmingham, Alabama 1888)” by Caitlin R. Kiernan (2000)

Fresh wound, these walls, this abscess hollowed into the world’s thin skin.

“The Damned Thing” by Ambrose Bierce (1898)

All seemed to be waiting for something to occur; the dead man only was without expectation.

“A Visit” (prev. “The Lovely House”) by Shirley Jackson (1952)

A tile is missing from the face of Margaret, who died for love.

“Night Surf” by Stephen King (1969)

He said his name was Alvin Sackheim. He kept calling for his grandmother.

“The Lonesome Place” by August Derleth (1948)

What do they know about a place and time when a boy is very small and very alone, and the night is as big as the town, and the darkness is the whole world?

"The Phantom Coach” by Amelia B. Edwards (1864)

Against what superstition have they waged so long and obstinate a war, as against the belief in apparitions?

“Afterward” by Edith Wharton (1910)

The sunny English noon had swallowed him as completely as if he had gone out into Cimmerian night.

“The Demon Lover” by Elizabeth Bowen (1945)

You have no time to run from a face you do not expect.

“The Tower” by Marghanita Laski (1955)

There was nothing left in her brain but the steadily mounting tally of the steps.

“Don’t Look Now” by Daphne du Maurier (1971)

How to replace the life of a loved lost child with a dream?

“███████” by Joyce Carol Oates (1998)

Each of us had one, in our bowls. Warm and pulsing with life and fear radiating from it like raw nerves.

“Vampire Princess” by Ryuki Mao (2004)

The human will want to take you into the light, saying it’s for your own good.

“Cruel Sistah” by Nisi Shawl (2005)

One singing note, which he raised and lowered slowly. High and yearning. Soft and questioning. With its voice.

“The You Train” by N.K. Jemisin (2007)

All the defunct lines, the dead lines. I think they never really go away.

“Hello, Moto” by Nnedi Okorafor (2011)

It always felt so good to take from people, not just their money but their very essence.

“Pearls” by Priya Sharma (2012)

All because you couldn’t have me.

“Monstro” by Junot Díaz (2012)

Motherfuckers used to say culo would be the end of us. Well, for me it really was.

“Bugs” by Ageha (2013)

Hey, pinky promise you’ll play with me.

“The Graveless Doll of Eric Mutis” by Karen Russell (2013)

Yolk came oozing out of the mystery, covering all our hands, so that we became involved.

“Out of Skin” by Emily Carroll (2013)

A heap of wet skin and decaying cloth, crowded inside a dark pit I’d never seen before.

“How to Get Back to the Forest” by Sofia Samatar (2014)

The smell in the bathroom was terrible now–an animal smell, hot; it thrashed around and it had fur.

“Sixteen Minutes” by Premee Mohamed (2016)

I felt its breath in the night sometimes, like the warm, moist breath of my son when he’d crawl into bed with us.

“Wish You Were Here” by Nadia Bulkin (2016)

Hopefully, by the time the world ends, you’ll be gone.

“A Diet of Worms” by Valerie Valdes (2016)

Hell, maybe you’ll even stay and watch the movie.

“None of This Ever Happened” by Gabriela Santiago (2016)

Someone has to write Uhura looking out the window and dreaming of home.

“The Taming of the Tongue” by Russell Nichols (2016)

You don’t know what this boy wants you to see way out here, but ain’t nothing worth getting eaten alive for.

“Wet Pain” by Terence Taylor (2007)

It doesn’t matter whether you believe in ghosts if they believe in you.

The Walking Dead: The Final Season dev. Telltale Games, Skybound Games (2018-2019)

Maybe we’ll learn to fly together, someday.

“Black Box” dir. Monica Garrison (2010)

I felt so special that they had invited just me for a visit that day.

Splice dir. Vincenzo Natali (2009)

You never wanted a normal child because you were afraid of losing control.

In the Tall Grass dir. Vincenzo Natali (2019)

The field doesn’t move dead things. It makes them easier to find.

Fright Night dir. Tom Holland (1985)

The master will kill you for this! But not fast. Slowly! Oh, so slowly!

Near Dark dir. Kathryn Bigelow (1987)

Howdy. I’m gonna separate your head from your shoulders. Hope you don’t mind none.

Don’t Look Now dir. Nicolas Roeg (1973)

This one who’s blind. She’s the one that can see.

The Ritual dir. David Bruckner (2017)

It’s the bit they don’t show you in the nature documentaries.

Thirst dir. Park Chan-wook (2009)

He loved helping the hungry. He’d offer me his blood if he wasn’t in a coma.

Hush dir. Mike Flanagan (2016)

Too many endings. They are all the same.

A Tale of Two Sisters dir. Kim Jee-woon (2003)

As much as you hate it, I’m the only one in this world you can call mother.

The Invitation dir. Karyn Kusama (2015)

I am different. I’m free. All that useless pain, it’s gone.

Bird Box dir. Susanne Bier (2018)

If you look, you will die.

Jennifer’s Body dir. Karyn Kusama (2009)

How could I ever be insecure? I was the Snowflake Queen.

Bee and PuppyCat – Season 1 (2014-2016)

My payment was supposed to be the sweet release of death, and a permanent home for the soul.

The Twilight Zone – Seasons 4-5 (1963-1964)

The others thought about joining the army, or flying to Mars. They finally grew up and they forgot their dreams; I didn’t.

The Haunting of Bly Manor (2020)

To truly love another person is to accept the work of loving them is worth the pain of losing them.