What the road does.

Social obligation, that is the notion of being required to do anything more than have a nice talk over a granola bar or cup of coffee, doesn’t rear its ugly head. There’s no obligation. Just folks. Travelers, maybe, if some think of it in that conscious sort of way. Romantics might think it. But folks anyway, just going someplace in a car or on a bike, or hitching, though I don’t know anyone personally who’s done that. There’s no requirement in the social bits of travel. Nothing exchanged but stories, tips, simple greetings and goodbyes. Or nothing, as there might not be a thing to say. No scheduling to it or time to think too much. A moment’s come and gone.

Politeness. Politeness and kindness where one can give it. I’ve met with a lot of kindness that surprised me every time. Kindness of the moment’ll do a hell of a lot more than an expectation to keep in touch. Don’t expect that of no one and that’s that.

There’s intuition as funneled through the gut. The gut knows about people. Good people, not so good. Some part of getting out there is maybe knowing what’s bad and doing it anyway, but these days I don’t go in for that thinking. It’s not wise far as I can tell.

Quietness out there. It’s that, I think. A mostly quiet sort of experience, punctuated with the little talks, and little hellos and smiles, and then little partings. The kind of being with people that doesn’t break a man.

What the road does.

Social obligation, that is the notion of being required to do anything more than have a nice talk over a granola bar or cup of coffee, doesn’t rear its ugly head. There’s no obligation. Just folks. Travelers, maybe, if some think of it in that conscious sort of way. Romantics might think it. But folks anyway, just going someplace in a car or on a bike, or hitching, though I don’t know anyone personally who’s done that. There’s no requirement in the social bits of travel. Nothing exchanged but stories, tips, simple greetings and goodbyes. Or nothing, as there might not be a thing to say. No scheduling to it or time to think too much. A moment’s come and gone.

Politeness. Politeness and kindness where one can give it. I’ve met with a lot of kindness that surprised me every time. Kindness of the moment’ll do a hell of a lot more than an expectation to keep in touch. Don’t expect that of no one and that’s that.

There’s intuition as funneled through the gut. The gut knows about people. Good people, not so good. Some part of getting out there is maybe knowing what’s bad and doing it anyway, but these days I don’t go in for that thinking. It’s not wise far as I can tell.

Quietness out there. It’s that, I think. A mostly quiet sort of experience, punctuated with the little talks, and little hellos and smiles, and then little partings. The kind of being with people that doesn’t break a man.

New Fiction 2013

Short stories.

  • “Katania” by Lara Vapnyar
  • “The Unseeing Eye” by Hanan Al-Shaykh
  • “B. Traven Is Alive and Well in Cuernavaca” by Rudolfo A. Anaya
  • “Dancing Girls” by Margaret Atwood
  • “Bad Dreams” by Tessa Hadley
  • “Within a Grove” by Akutagawa Ryūnosuke
  • “Find the Bad Guy” by Jeffrey Euginedes
  • “Hands” by Sherwood Anderson
  • “Kilifi Creek” by Lionel Shriver
  • “Two Sisters” by Ama Ata Aidoo
  • “The Late Novels of Gene Hackman” by Rivka Galchen
  • “The Kugelmass Episode” by Woody Allen
  • “All Ahead of Them” by Tobias Wolff
  • “Girls at War” by Chinua Achebe
  • “And of Clay Are We Created” by Isabel Allende
  • “Roadkill” Romesh Gunesekera
  • “Benji” by Chinelo Okparanta
  • “From a Farther Room” by David Gilbert
  • “The Breeze” by Joshua Ferris
  • “Marjorie Lemke” by Sarah Braunstein
  • “We Didn’t Like Him” by Akhil Sharma
  • “Valentine” by Tessa Hadley
  • “Kattekopen” by Will Mackin
  • “Checking Out” by Chimamanda Ngozi Adichie
  • “Blues Roses” by Frances Hwang
  • “By Fire” Tahar Ben Jelloun
  • “Experience” by Tessa Hadley
  • “The Heron” by Dorthe Nors
  • “The Casserole” by Thomas McGuane
  • “Birnam Wood” by T. Coraghessan Boyle
  • “The Embassy of Cambodia” by Zadie Smith
  • “The Gray Goose” by Jonathan Lethem
  • “Mexican Manifesto” by Roberto Bolaño
  • “Art Appreciation” by Fiona McFarlane
  • “The Colonel’s Daughter” by Robert Coover
  • “Stars” by Thomas McGuane
  • “Mastiff” by Joyce Carol Oates
  • “Collectors” by Daniel Alarcón
  • “The Dark Arts” by Ben Marcus
  • “Paranoia” by Shirley Jackson
  • “Victory” by Yu Hua
  • “The Fragments” by Joshua Ferris
  • “Meet the President” by Zadie Smith

Video games.

  • The Cave by Double Fine Productions and Sega
  • Call of Juarez: Gunslinger by Techland and Ubisoft
  • The Last of Us by Naughty Dog and Sony
  • Tomb Raider by Crystal Dynamics and Square Enix
  • King of the Hill by Flying Tiger Entertainment and Fox
  • The Simpsons: Itchy & Scratchy Land by G5 Entertainment, Alex Mauer, and EA
  • The Simpsons Game for Nintedo DS by Amaze Entertainment and EA
  • Hotline Miami by Dennaton Interactive
  • RoboCop vs. The Terminator by Virgin Games
  • The Simpsons Arcadefor iOS by IronMonkey Studios and EA

Novels.

  • The Talented Mr. Ripley by Patricia Highsmith
  • The Dog Stars by Peter Heller
  • Tampa by Alissa Nutting
  • A Game of Thrones by George R. R. Martin
  • Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig

Movies.

  • 12 Years a Slave
  • The Hobbit: The Desolation of Smaug
  • The Cabin in the Woods
  • Tucker and Dale vs. Evil

Television.

  • Breaking Bad
  • Californication
  • Dexter

New Fiction 2013

Short stories.

  • “Katania” by Lara Vapnyar
  • “The Unseeing Eye” by Hanan Al-Shaykh
  • “B. Traven Is Alive and Well in Cuernavaca” by Rudolfo A. Anaya
  • “Dancing Girls” by Margaret Atwood
  • “Bad Dreams” by Tessa Hadley
  • “Within a Grove” by Akutagawa Ryūnosuke
  • “Find the Bad Guy” by Jeffrey Euginedes
  • “Hands” by Sherwood Anderson
  • “Kilifi Creek” by Lionel Shriver
  • “Two Sisters” by Ama Ata Aidoo
  • “The Late Novels of Gene Hackman” by Rivka Galchen
  • “The Kugelmass Episode” by Woody Allen
  • “All Ahead of Them” by Tobias Wolff
  • “Girls at War” by Chinua Achebe
  • “And of Clay Are We Created” by Isabel Allende
  • “Roadkill” Romesh Gunesekera
  • “Benji” by Chinelo Okparanta
  • “From a Farther Room” by David Gilbert
  • “The Breeze” by Joshua Ferris
  • “Marjorie Lemke” by Sarah Braunstein
  • “We Didn’t Like Him” by Akhil Sharma
  • “Valentine” by Tessa Hadley
  • “Kattekopen” by Will Mackin
  • “Checking Out” by Chimamanda Ngozi Adichie
  • “Blues Roses” by Frances Hwang
  • “By Fire” Tahar Ben Jelloun
  • “Experience” by Tessa Hadley
  • “The Heron” by Dorthe Nors
  • “The Casserole” by Thomas McGuane
  • “Birnam Wood” by T. Coraghessan Boyle
  • “The Embassy of Cambodia” by Zadie Smith
  • “The Gray Goose” by Jonathan Lethem
  • “Mexican Manifesto” by Roberto Bolaño
  • “Art Appreciation” by Fiona McFarlane
  • “The Colonel’s Daughter” by Robert Coover
  • “Stars” by Thomas McGuane
  • “Mastiff” by Joyce Carol Oates
  • “Collectors” by Daniel Alarcón
  • “The Dark Arts” by Ben Marcus
  • “Paranoia” by Shirley Jackson
  • “Victory” by Yu Hua
  • “The Fragments” by Joshua Ferris
  • “Meet the President” by Zadie Smith

Video games.

  • The Cave by Double Fine Productions and Sega
  • Call of Juarez: Gunslinger by Techland and Ubisoft
  • The Last of Us by Naughty Dog and Sony
  • Tomb Raider by Crystal Dynamics and Square Enix
  • King of the Hill by Flying Tiger Entertainment and Fox
  • The Simpsons: Itchy & Scratchy Land by G5 Entertainment, Alex Mauer, and EA
  • The Simpsons Game for Nintedo DS by Amaze Entertainment and EA
  • Hotline Miami by Dennaton Interactive
  • RoboCop vs. The Terminator by Virgin Games
  • The Simpsons Arcadefor iOS by IronMonkey Studios and EA

Novels.

  • The Talented Mr. Ripley by Patricia Highsmith
  • The Dog Stars by Peter Heller
  • Tampa by Alissa Nutting
  • A Game of Thrones by George R. R. Martin
  • Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig

Movies.

  • 12 Years a Slave
  • The Hobbit: The Desolation of Smaug
  • The Cabin in the Woods
  • Tucker and Dale vs. Evil

Television.

  • Breaking Bad
  • Californication
  • Dexter

Associate Producer – Double Fine – 2014-2015

Trying on a different hat.

I’d been a QA Lead at the company for six months when I was asked to apply for an opening in production. I had always been interested in trying a producer role and this gave me the chance to finally give it a go.

My initial trial was as a producer on a 2 week Amnesia Fortnight prototype called Dear Leader, and it was certainly a trial by fire. I focused on helping the leads organize the constant brainstorm of ideas and fill in holes where I could spot them. This included searching for art reference material and taking on repetitive scripting work in Lua that didn’t require a programmer. It was over in a flash and it became one of the most memorable experiences of my career.

Once officially promoted to associate producer, I worked on Grim Fandango Remastered and Broken Age. Grim was a unique project in that it required remastering a game from 1998 for modern platforms. My part was to help organize the certification and submissions to first-party platforms, as well as to design, edit, and transcribe the over 2 hours of developer commentary in the game. Broken Age was in development at the same time, and my role on that project was that of a development producer. I worked with every team member and helped track tasks, assets, and schedules, in addition to the same certification and submissions that needed to be coordinated.

All in all, I am proud of the work I did during my time in production. While I discovered that development producer was not a role that suited me, I did learn that release management suits me to a T, and I’m happy to still contribute in that regard.