New Fiction 2021 – July

“Revisited, Part One” by Anonymous (2003)

You can hear the same story a hundred times and find a different telling.

“Ha’mara” by Kevin G. Summers (2003)

If the song is of a genuine soul.

“The Orb of Opportunity” by Michael A. Martin and Andy Mangels (2003)

The end result can’t be known.

“Broken Oaths” by Keith R. A. DeCandido (2003)

Festering is in poor taste, but satisfying nonetheless.

“… Loved I Not Honor More” by Christopher L. Bennett (2003)

Do not forget yourself.

“Three Sides to Every Story” by Terri Osborne (2003)

The world is replete with tragic ends.

“The Devil You Know” by Heather Jarman (2003)

Is the price the only penance?

“Foundlings” by Jeffrey Lang (2003)

A flow chart’s inevitable path.

“Chiaroscuro” by Geoffrey Thorne (2003)

The center cannot hold behind a locked door.

“Face Value” by Una McCormack (2003)

The enemy of my enemy is my necessity.

“The Calling” by Andrew J. Robinson (2003)

Touring farm houses in a tornado.

“Revisited, Part Two” by Anonymous (2003)

After all, you knew.

“Dissection-chan” by Junji Ito (2015)

The soil is purest where we cannot see.

“Blackbird” by Junji Ito (2015)

It’s anchored to the middle.

“Magami Nanakuse” by Junji Ito (2015)

Follow, like, and stay home.

“Whispering Woman” by Junji Ito (2015)

Trust the stranger to provide a whisper.

“Security Booth” dev. Kyle Horwood (2021)

I cannot abandon the sense of place.

Simply Mindy dev. Sexums (2016)

If fucking is the objective, what is the journey?

Zola dir. Janicza Bravo (2021)

Perhaps a respite from the utter seriousness of the pursuers.

A Quiet Place Part II dir. John Krasinski (2021)

The hero is always going to find themselves alone.

Black Widow dir. Cate Shortland (2021)

Circle around to the time warp.

F9 dir. Justin Lin (2021)

The bloat of certainty.

Pig dir. Michael Sarnoski (2021)

The sheen of asphalt has never been so inviting.

Old dir. M. Night Shyamalan (2021)

You could’ve left us wanting.

Snake Eyes dir. Robert Schwentke (2021)

A missed connection.

Jungle Cruise dir. Jaume Collet-Serra (2021)

The rope sags most in the middle.

New Fiction 2021 – July

“Revisited, Part One” by Anonymous (2003)

You can hear the same story a hundred times and find a different telling.

“Ha’mara” by Kevin G. Summers (2003)

If the song is of a genuine soul.

“The Orb of Opportunity” by Michael A. Martin and Andy Mangels (2003)

The end result can’t be known.

“Broken Oaths” by Keith R. A. DeCandido (2003)

Festering is in poor taste, but satisfying nonetheless.

“… Loved I Not Honor More” by Christopher L. Bennett (2003)

Do not forget yourself.

“Three Sides to Every Story” by Terri Osborne (2003)

The world is replete with tragic ends.

“The Devil You Know” by Heather Jarman (2003)

Is the price the only penance?

“Foundlings” by Jeffrey Lang (2003)

A flow chart’s inevitable path.

“Chiaroscuro” by Geoffrey Thorne (2003)

The center cannot hold behind a locked door.

“Face Value” by Una McCormack (2003)

The enemy of my enemy is my necessity.

“The Calling” by Andrew J. Robinson (2003)

Touring farm houses in a tornado.

“Revisited, Part Two” by Anonymous (2003)

After all, you knew.

“Dissection-chan” by Junji Ito (2015)

The soil is purest where we cannot see.

“Blackbird” by Junji Ito (2015)

It’s anchored to the middle.

“Magami Nanakuse” by Junji Ito (2015)

Follow, like, and stay home.

“Whispering Woman” by Junji Ito (2015)

Trust the stranger to provide a whisper.

“Security Booth” dev. Kyle Horwood (2021)

I cannot abandon the sense of place.

Simply Mindy dev. Sexums (2016)

If fucking is the objective, what is the journey?

Zola dir. Janicza Bravo (2021)

Perhaps a respite from the utter seriousness of the pursuers.

A Quiet Place Part II dir. John Krasinski (2021)

The hero is always going to find themselves alone.

Black Widow dir. Cate Shortland (2021)

Circle around to the time warp.

F9 dir. Justin Lin (2021)

The bloat of certainty.

Pig dir. Michael Sarnoski (2021)

The sheen of asphalt has never been so inviting.

Old dir. M. Night Shyamalan (2021)

You could’ve left us wanting.

Snake Eyes dir. Robert Schwentke (2021)

A missed connection.

Jungle Cruise dir. Jaume Collet-Serra (2021)

The rope sags most in the middle.