In this wood engraving entitled Taipei, American artist Lawrence Keaty (b. 1986) offers us a vision of the city he was born in and where he lived when he made this print in 2020. The print is made from six separate blocks and together measure 65cm x 35cm (25.5" x 14"). The print was selected by my Wisconsin colleagues Tracy Honn and Jim Moran for inclusion in the Fourth Triennial Exhibition 2020-2022 of the American American wood engravers society, the Wood Engravers’ Network (WEN). This image is from the catalog for that travelling show.
Lawrence Keaty received a BA from Kenyon College with a major in Studio Art and he earned his MFA from Washington University in St. Louis in 2010. He taught English in Taiwan and South Korea from 2011 to 2019 and then worked as a writer/editor for Global Village Organization in Taipei for a year before returning to the U.S. (New Mexico) where he currently works as a UX/UI designer as well as a professional artist.
The noted Canadian illustrator and wood engraver Wesley Bates (b. 1952) produced the engravings for an edition of poems by the somewhat obscure 3rd- or 4th-century CE Greek epigrammatist Rufinus, translated by the Canadian writer and scholar Robin Skelton and printed in British Columbia at the Barbarian Press in an edition of 200 copies in 1997. Little is known about Rufinus himself, but Skelton informs us that the works of Rufinus combine sensuality with wit and show an appreciation for female beauty. Many of the poems are explicit in nature, and often have misogynistic undertones. Each poem is translated into rhymed metrical verse, demonstrating Skelton’s appreciation for past traditions of translating Latin and Greek in the 18th and 19th centuries.
Wesley Bates was born in the Yukon in 1952 and raised in South Western Saskatchewan. After studying painting and printmaking at Mount Allison University in Sackville, New Brunswick from 1972-1977, he pursued a career as a painter and printmaker in Sackville, and turned to illustration and wood engraving 1981. He has since been a much sought-after illustrator by numerous publications and publishers.
The engravings were printed directly from the blocks on Zerkall White Wove and Zerkall Cream Laid papers, with the book designed, bound, and the text handset in Jan Van Krimpen’s Van Dijk type, with his Cancelleresca Bastarda and Open Kapilalen for display, by Barbarian Press proprietor Crispin Elsted. Elsted’s wife and Barbarian Press co-founder Jan Elsted printed the book. Our copy is signed by Robin Skelton and the Elsteds and is another gift from our friend Jerry Buff.
