the end of the block

I’m going to stop when I reach the end of the block. I’m going to turn on Avenida de las Pulgas and walk down the hill, I’m going to pray to no one. The trees are going to shade me, the sky is going to shame me, the people in the cars are going to blame me. The two children, the little dark haired girl with hazel eyes and the little dark haired girl with brown eyes, they’re going to hate me. My feet are going to fail me, I’m going to cry, I’m going to want to die. In the heavens they will curse me and in hell they will laugh at me, when they see, when they rip my pitiful sins from my chest, from my head and hands, from between my thighs. At the bottom of the hill, in the valley, in the world I used to know, they will find me frowning, loading gobs of fear into my belly, one by two by three. In my mind they will see the angelic witch’s singing and hear her belled hat jingling, bent over on the rug in front of the fireplace at Christmas, in the cabin by the winter moon. I will hum into the pillow. The sky will darken soon. I will not go back to where we dreamed. The air will be flat and stink of sweat. Crows will laugh when they find me sleeping on the asphalt. When I wish for death they will shake their conkled heads and fly.

craigslist donation

desperation, need, beer, whiskey

combination of all elements

weaknesses and pie, the sky

dark beneath a street lamp

shadows and silence, late night

suburbs beckon to no one,

the privacy of glass and steel

the night alone with my hand

resting on your shoulder, torn

blood runs dry, flows downward

feeling your eyes wander

and the subject, broached

by me, so you say you can make

any man come to

and my hand rests neatly in your

hair, once done now loosed about

feeling you try, your lips and hand

soft and then determined, like a furious game

of whack a mole, whack a cock

so that near the end I wonder

if Buddha ever sat in his car

got lost in the streetlights

with a pretty monk at his lap

and felt as zen as I was just then

which is to say, nothing

The thing about stockings

The thing about stockings is, they remind me of the girls in high school, and I don’t know what the high school kids might wear these days, but back in my day, they all wore these thigh-length stockings, white or blue or purple or whatever, and it was cute as fuck because these girls, how else’re they going to show off their stockings but by wearing skirts high enough to show that the damn things cut off at mid-thigh, and I’ve got to wonder if it was ever a conscious thing, like playing to the school girl ideal that a lot of old fucks cling to, but I wasn’t an old fuck then, I was some kid who thought this is just what girls do, wear their stockings like that, and I think I might’ve thrown the stocking thing right out the window along with the attraction to lip gloss and girls who jump rope, except Lorena, she went and wore the damn things when she gave me my first blowjob, and granted I wasn’t anywhere near her stockings during this, during the blowjob, but I sort of burned it into my head, right the fuck into the core place where all of the basest desires come from, and Lorena, she was a pretty girl, but I don’t exactly have her etched into my mind, it’s just that image, of the girl with stockings, so now it’s a thing I have and what’s an old fuck supposed to do except tell you to wear them when we fuck, any kind, preferably striped, with the most serious face you’ve ever seen in your life, and expect you to do the thing, the stockings and whole song and dance, or the thing where we’re in the forest, or whatever, because the thing is, whatever you have etched into your brain, whatever little thing got burned in there, whether you like it or not, it’s there, and it could be the strangest thing to you, might make you sick, but to me, this old fuck with the thing for stockings, it’s the most beautiful thing in the goddamn world, because it’s what you got burned into your brain, and here’s my point: your brain’s like that field in heaven where there’s no right and no wrong and everything makes complete sense because it makes you feel good, makes you feel like happiness was there all along and all you needed to do was die to find it.

I’m a fucking animal today.

Do you get the feeling? That notion that you need to either be put down or released? That certainty that if you don’t get one or the other you’re going to tear the goddamn walls down and do things you’ll regret when you get back to this point tomorrow, next week, next month?

Of course you do.

eyes

For a long time, when I was a child, I could not look people in the eyes. I did not. This is supposed to be a sign that the person is shy or hesitant. I suppose I was.

Now I crave eyes. Someone’s eyes tell everything, betray everything, hide nothing. Body language, too, but when you look someone in the eyes, it’s all. A life entire, right there, starting with the pitch and irradiating out like heat from the canopy, slowly, outwardly, contracting and expanding, and it’s all placed in this space, so tiny, so fragile, really, that I know why people speak of gazing, swimming, flying, diving, seeing the soul. Seeing the universe.

Give me your eyes. I’ll keep them safe.

destiny

I am going to explain destiny. Two men, Ted and Leonard, sit at the edge of a pier and stare into the water, listening to the frogs crick crick. They stare into the water with a sort of intensity and longing, like they lost something they can never recover. They want answers they will never get. Me, I stand behind an open window and look at them. After a relative span of time they become old and turn to look at me with their deepset mad eyes before they lean forward and finally vanish into the stillness. I step out when it’s my turn and find a pale woman standing at the pier, waiting, sometimes holding the hand of the little girl in the yellow dress and white sandals. She smiles and we stand and watch the water together. When a relative span of time has passed the pale woman walks forward without so much as a kiss to the wind and plunges in. I walk and sit at the edge of the pier where Ted and Leonard stared and find myself unable to do anything but stare into the water, listening to the frogs crick crick.

Rene

Rene asked me what I wanted for breakfast once, when her roommate was out doing something or another. She was seated on her twin bed, I was splayed out across the wooden floor. I liked the feeling of cool, flat surface against the hair on my back. I told her I wanted her, and she laughed. I didn’t smile. So she told me to wait and, when I’d been kept in the room long enough, she called me. I found her in the small kitchen, on the other side of the island, holding a plate of scrambled eggs and wearing nothing but a purple apron, hiding everything I wanted to see. I’d never really thought about it, beyond the arousal. She didn’t have to do anything. She could’ve just remained on her bed and cracked a joke, or some familiar sarcasm. We might’ve fucked in bed instead of in the living room. But she did something, something that brought me joy. And I never thought about it.

The Definition of Love

You jerk off in front of the mirror, your mind wanders to the vague memories of tits fondled, mouths and cunts explored, and when you finish you think, for the first time in your life, that it might just be best to kill yourself.

“Mom,” you say, later, when you talk to your mother, after you’ve talked about the weather, “what did dad say when he saw you for the first time?”

“I don’t remember,” she says, and adds, “I think he might have been drunk. He liked to get drunk. He liked to be drunk with his friends and I think he met me when he had a girlfriend.”

“Did you mind that, him having a girlfriend?”

“No. He liked me more than whoever she was. Why are you asking me this?”

“I was curious,” you say, and precariously add, “I had no one else to ask.”

She frowns through the phone and you tell her you have to go.

Seven miles away, three hours or so after the talk with your mother, in the depth of asphalt fields, you encounter silence from a wall. The neon winding mural of the girl is silent to you. She doesn’t talk but you wish she does. Seven miles away, beneath your bed, is an old box of condoms, about nine months expired, now the color of the crusty white paint at the base of the wall beneath the neon girl. You encounter worrisome people who walk out in unstable unison, shadows, the two of them, one shoulders the other, like trees in a field, trash in the heap, wild geese in the magnificent flying V.

Inside, you find a seat and wait. They see you before your eyes adjust. The girls and their bare tits find you, trained.

Nearly three hours later, several unfulfilled erections and one hundred twenty-three dollars disseminated between three girls and a bartender later, you walk out and begin to walk home. Your car cries out to you from the darkness of the unlit parking lot, cries out for anyone, begging not to be left alone.

The walk is seven miles too long, two thousand four hundred thirteen miles too short. There are no sights save for the flash of logos and the occasional CLOSED sign. The steps are even, sober. In twenty-eight more years there will be more people, by far, than your imagination will handle. There will be more people that passed through your life than the population of Tahoe City, California, where you once drank a large cup of coffee and ate a thick slice of gorgeous, glistening pumpkin bread, topped with chopped almonds and made with obvious care. It occurred in a youthful state of mind, a less concerned one. Time does away with it, in one way or another, and even the careless adults become careful, or die.

You realize the girl in red slippers, the one from two years, three states, and dozens of pounds ago, was sweet on you. You swear. You remember the purple cat ears on her hoodie, the seriousness of her tone, the flex of her wrist. A mysterious sound echoes from a carport, somewhat distant, several hundred feet away, perhaps, like screeching metal, or a mouse’s death cry.

“Mouse’s gotta make a noise. Everything does.”

You pass through the tunnel, along the narrow strip of asphalt, your footsteps fill the space. The cars refuse to interrupt you, letting you scamper along, suddenly, momentarily, giddy, the flash of white, wrinkles you never show come out, stretch wide, up higher than reasonable, until you tire, and lower them down, and eventually exit the tunnel only to discover you did not go anywhere, but only walked into the same place you were before, with the same darkness, the same screeching, and again, cars.

When you are nearly home, the fucking dump, though it is not, you stop, and take a seat in front of a bus stop, on the curb, because the bench is dirty, and that still matters.

You don’t hear a thing, and she says “hello” to you, carefully. You look up, irritated, but it’s a girl, so you slowly smile, and think of her neon outline. Her coat makes it seem more angular than she is. Dressed in pants, sneakers, looking more normal and unexceptional than any of your memories.

“Hello,” you reply.

“It’s kind of dark here, to be sitting alone.”

“I know.”

“It’s dangerous.”

“There are more dangerous things to do.”

“I see.”

You have nothing to say, and lean back, stretching yourself out across her path.

She says, “Are you waiting for the bus?”

“There’s no more buses. It’s too late. I think you missed it.”

“I’m not waiting for the bus. I live close.”

“Me too.”

“What are you waiting for?”

“Nothing. I just got tired.”

“You shouldn’t sit alone out here.”

“Nothing will happen.”

She remains still and looks in the same direction you are, into dark apartment buildings and empty cars.

“You don’t have to stay,” you say. “You don’t have to stay, you know.”

“Do you want me to stay?” she asks. You look ahead and then nod.

“Okay.”

She sits beside you, slides her hands along her legs to tuck her coat beneath her thighs, takes a seat, sniffs and quietly watches the ghostly cars float by, one after the other.

“It actually is kind of nice. Like an empty mirror.”

“What do you mean?”

“It’s the same street I see all the time, but it’s not the same. Everything is reflected differently. I don’t know, it just feels strange.”

“I can see that. Which do you prefer? This reflection or the other?”

“The other, I think. I like seeing a place busy. It feels more natural.”

“I suppose. I think this is more natural than anything else.”

“Maybe. It’s not too warm on this side, though.”

“It is kind of cold.”

“Yea.”

You stare at your boot, scuffed, work from months of consistent use, but still capable.

“Let’s find someplace to warm up” you say, and she does not reply for a long time, long enough for doves to fly through and around, a space so large the world could fit inside.

“No,” she says, “I don’t want to. I better go.”

“Oh. Alright.”

She stands and holds her oversized purse to her side, looks in three or four directions, assesses what is to come, and before she walks away she asks you, quite plainly, “Will you remember me?”

“Of course,” you say.

“Then you’ll be okay, even when you forget.”

“I won’t forget.”

“You will, if you have to.”

You watch her walk toward the twist in the wind, and when she disappears you swear, you utter “I swear,” and begin to wonder about the number of hers that exist in the neighborhood, then the city, and because you can’t stop, every place you never knew existed. When you stand again, you feel a song come on. The summer wind comes blowing in from across the sea, pushing you home and then further along, another few miles.