New Horror 2022 – Day 2

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“The Hollow Man” by Norman Partridge (1991)


“I pinned them to his neck: one, two, three, four.”

I’m still puzzling over what exactly it was that drove this story. Some label or easy answer. But then, it’s scarier not to know.

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“Swamp Monster” by Basil Wolverton (1953)
“You stare in unbelief at what used to be normal hands!”

There’s something appealing about these old, simple morality horror tales. I suppose it’s knowing that someone’s getting a comeuppance, or a rude awakening. So reading these is about knowing they’re gonna get it and enjoying the twisted revelation.

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The Mummy dir. Karl Freund (1932)
“No man ever suffered as I did for you.”

Whoof, second day in a row that I yawn during a horror movie. Perhaps it’s not wise to watch black and white, slow-paced movies from the 30s late at night, but I feel like Dracula, Frankenstein, or Invisible Man all have enough going on to keep me more engaged. And seeing as the 1999 remake is the same plot with a lot more action, that’ll be my go-to Mummy experience.

New Horror 2022 – Day 1

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“Leonora” by Everil Worrell (1927)
“It was not curiosity that drove me, but some deeper urge, some urge I know no name for.”

It’s the kind of classic spooky story you’ve seen dozens of times, dating back to the earliest opportunities for meeting a dark and attractive stranger in the night. Worrell does well with this take from the early days of cars intruding upon an idyllic life in the country. We can never shake the appeal of the dangerous invitation.

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Smile dir. Parker Finn (2022)
“You have it? You’re trying to pass it onto me?”

I’m seeing that the movie had a great opening weekend and I’m glad for the cast and crew, but… hoo boy. It’s not a strong one. I yawned more than once and I’m not one to do that when I’m watching movies, especially in a theater setting. The pace just drags and the performances were weak at various critical points when the characters needed to really convey the horror of the situation. Bonus points for a strong final confrontation with the thing but then negative points for the weak denouement that is there purely for the sake of a now guaranteed sequel.