There’s a fluid wave in a woman’s walk when she wears the right type of jeans and wedges. One foot in front of the other. The fabric stretches just below the buttock. Her legs extend to a point of perfection. A straight line from hip to toe. Time slows in these moments. It becomes a crawl through a dream. A breakdown of the nature of her movement. Her presence. The effect on the environment around her. One front, the other foot. Captured as if in a bubble.

I bless my soul when I see a fine-looking woman walk across my bow. Forehead to chest, left shoulder to right shoulder. La bendicion por cada pensamiento.

There’s a fluid wave in a woman’s walk when she wears the right type of jeans and wedges. One foot in front of the other. The fabric stretches just below the buttock. Her legs extend to a point of perfection. A straight line from hip to toe. Time slows in these moments. It becomes a crawl through a dream. A breakdown of the nature of her movement. Her presence. The effect on the environment around her. One front, the other foot. Captured as if in a bubble.

I bless my soul when I see a fine-looking woman walk across my bow. Forehead to chest, left shoulder to right shoulder. La bendicion por cada pensamiento.

So what’re you doing here?

Do you stop and wonder about the nature of the objects around you? The refrigerator’s hum or the comb on the dresser. How they came to be in your possession at a particular point in time. Where they may have come from and and where they may be headed. That alone—the impermanence of ownership—is enough to get in a tizzy. Pondering the eventualities of life. They really get you, believe me.

In relevance to others, you seek things. How these pants compare to those pants or this car and that.

Of all the things I hear about my transient nature, the most common is: “God, I wish I could do that.”

“Do what?”

“I want to go to a place I’ve always dreamed of.”

or

“I want to go to a place I’ve been before. I loved it.”

I look around at the chairs and walls and I feel satisfaction with the current moment. The idea of settling for unsatisfying surroundings saddens me. More so than the other sad things in life. More so than life itself.

I see a person telling me they don’t want to be here, but they want to be there, and I have to wonder why they don’t simply say goodbye, get up, and go to where they want to be.

“Write me something dirty. Something sexy.”

I’m sitting in traffic. The light blinks yellow. I tell her she can wait until the next time I see her.

“I guess I can,” she says. “But I want you to do this for me. Isn’t that how you like it? What I want when I want it.”

“And what is it that you want?”

“Well, I want you to fuck me. It’s been weeks.”

“Tell me what you miss.”

“I miss you inside me. Your cock in my mouth.”

“Say that again. Differently.” I stop and look across the way. A woman rolls by on a yellow bicycle. Her blonde ponytail trails along behind her head.

I say, “Pretend you’re writing a story.”

She pauses. I put the phone down on the dashboard at the next turn. The road is empty, mostly. Some old woman. Another bicyclist. Their images are faint, like flat silhouettes. I hear her voice and pick up the phone again. She’s midway into something.

“… of you. I don’t know why, but I hope it’s for more than the way you make me feel after sex. The way you use me like we’re the only animals in a cage. Your eyes are so intense. I feel like you’d yell at me if I didn’t look up when you fucked my mouth. Or, like, bark at me.” She hesitates. She’s always the first to give. I’m right behind her.

“Please. I miss your voice. It gets so deep and… broody.” She laughs nervously. “Is that a word?”

“It is if you want it to be. I like what you’ve said, but we need a story.”

“That’s your thing.” She pauses again. I think to tell her I’m almost there but leave her to finish her thought. “I think that’s all you want from me,” she says. “And I want you to give me the same. I want a story from you.”

“A dirty, sexy story.”

“Yes.”

I feel her accelerated heart beat. Body curled up either in bed or her computer chair. Not smoking now, but the stink of weed in the air. Limp, unwashed hair spread out across her pillow or her tits. Already rubbing her cunt with her free hand.

My teeth gnash.

“Unlock your door,” I tell her. “I’ll be there in a few minutes.”

“And?”

“And I’ll write you your story.”

“Write me something dirty. Something sexy.”

I’m sitting in traffic. The light blinks yellow. I tell her she can wait until the next time I see her.

“I guess I can,” she says. “But I want you to do this for me. Isn’t that how you like it? What I want when I want it.”

“And what is it that you want?”

“Well, I want you to fuck me. It’s been weeks.”

“Tell me what you miss.”

“I miss you inside me. Your cock in my mouth.”

“Say that again. Differently.” I stop and look across the way. A woman rolls by on a yellow bicycle. Her blonde ponytail trails along behind her head.

I say, “Pretend you’re writing a story.”

She pauses. I put the phone down on the dashboard at the next turn. The road is empty, mostly. Some old woman. Another bicyclist. Their images are faint, like flat silhouettes. I hear her voice and pick up the phone again. She’s midway into something.

“… of you. I don’t know why, but I hope it’s for more than the way you make me feel after sex. The way you use me like we’re the only animals in a cage. Your eyes are so intense. I feel like you’d yell at me if I didn’t look up when you fucked my mouth. Or, like, bark at me.” She hesitates. She’s always the first to give. I’m right behind her.

“Please. I miss your voice. It gets so deep and… broody.” She laughs nervously. “Is that a word?”

“It is if you want it to be. I like what you’ve said, but we need a story.”

“That’s your thing.” She pauses again. I think to tell her I’m almost there but leave her to finish her thought. “I think that’s all you want from me,” she says. “And I want you to give me the same. I want a story from you.”

“A dirty, sexy story.”

“Yes.”

I feel her accelerated heart beat. Body curled up either in bed or her computer chair. Not smoking now, but the stink of weed in the air. Limp, unwashed hair spread out across her pillow or her tits. Already rubbing her cunt with her free hand.

My teeth gnash.

“Unlock your door,” I tell her. “I’ll be there in a few minutes.”

“And?”

“And I’ll write you your story.”

I was talking to a stripper friend of a friend a few weeks ago. I asked her what she thought about erotica. You know, as a professional.

“What do you mean?”

“You know. Your opinion of it.”

She chuckled, but didn’t respond. It didn’t seem like she had an answer.

“I can tell you this: no guy who comes to the club is into it.”

“You can tell.”

“You gotta figure that any guy who’s at a strip club—dropping cash and just watching me strip off clothing—he’s not into slow and sensual. He wants fast and dirty.”

“That’s most people, in the end.”

“Yeah, I guess. But erotica’s about the mind. It’s a different kind of fantasy than what I do.” She finished her drink and looked dejected. Probably tired, given the hour. After work for her.

She asked, “Have you ever tried to write any of that?”

“Nah,” I said. “Anything I try and make erotic just turns into a tragedy. Too much of the before and after. “

“What if that’s what gets someone off?”

“Yea, well. That might keep the panties moist, but it’s not what gets them off.”

She asked for me to share a story with her sometime. I told her we could trade.

I was talking to a stripper friend of a friend a few weeks ago. I asked her what she thought about erotica. You know, as a professional.

“What do you mean?”

“You know. Your opinion of it.”

She chuckled, but didn’t respond. It didn’t seem like she had an answer.

“I can tell you this: no guy who comes to the club is into it.”

“You can tell.”

“You gotta figure that any guy who’s at a strip club—dropping cash and just watching me strip off clothing—he’s not into slow and sensual. He wants fast and dirty.”

“That’s most people, in the end.”

“Yeah, I guess. But erotica’s about the mind. It’s a different kind of fantasy than what I do.” She finished her drink and looked dejected. Probably tired, given the hour. After work for her.

She asked, “Have you ever tried to write any of that?”

“Nah,” I said. “Anything I try and make erotic just turns into a tragedy. Too much of the before and after. “

“What if that’s what gets someone off?”

“Yea, well. That might keep the panties moist, but it’s not what gets them off.”

She asked for me to share a story with her sometime. I told her we could trade.

They don’t tell you that when you live on the water you become attached to it. The return to land is less a return and more a queasy holiday from your true home. Any pause or loss of focus on the task at hand reminds you that you are not where you ought to be. Something isn’t right. The walls move around you and a wall to lean against is more comfortable than a chair.

Naturally, only constant movement eases the feeling of imbalance. Walking, running, driving, flying—back to the sea.