TV Executives: “if the strike goes in, you won’t get new episodes of your favorite shows! You won’t get new movies you were looking forward to! Isn’t that terrible, what the writers are doing to you?”
Me: Bitch, that might have been an effective threat in 2007, but we have since survived a Covid shutdown and discovered ways to amuse ourselves while we waited, we can outwait this shit, too. I got a pile of shows saved I haven’t even watched yet, and a Mt. TBR waiting for me.
Compensate (and respect) your writers for their work, assholes.
It’s just hilarious that they’re trying to pull this whole “but your favorite shows!” nonsense.
Oh, you mean the shows you cancel after the third season no matter how good they’re doing to avoid paying writers residuals? The shows that get produced and then never aired because you found a nice tax writeoff? The shows whose writing suffers because the writers’ room got six weeks to write before getting booted and making the showrunner adapt all their scripts? The shows you straight up pulled from your streaming service to scam their crews out of rewatch money?
I will happily sacrifice my shows for the writers that gave them to me, no questions needed, but if anyone tries to say that the blatantly terrible way streaming treats its writers is somehow beneficial to shows, remind them of Infinity Train and Batgirl. That’s the ideal they’re pushing towards if someone doesn’t say no, and we should be thankful that the writers are doing that for us.
“Das Schloß?”, Berlin, Germany [1993] _ Project as part of the “Das Schloß?” exhibition, initiated by the Förderverein Berliner Stadtschloß and the Galerie Aedes _ Architect: Klaus Theo Brenner _ Collaborators: Marc Schmidt and Rüdiger Sander _ Models by: Planplastik.
Theo Brenner, K. (1994). Stadttheater / Urban Theatre, Berlin: Ernst & Sohn, pp. 98-109.
